If you ever want to get really excited and inspired about tiled surfaces, check out Walker Zanger. They have a beautiful online catalog to browse through, but I highly recommend ordering the printed one (new one coming out soon!). The interior photos are to die for, and their tile applications are highy varied and always gorgeous.

I especially love the patterned tiles, of course! In the Venezia series they use a waterjet process to carve in designs that are then hand colored….

or stained. You can use Modello patterns to achieve similar, custom effects on limestone and travertine tiles.

These tile samples were done in my last Floor Focus class, using a combination of Modello Dye Stains and Stain and Seal colors. The patterns can be etched into the surface by mechanical means (sandblasting) or by a chemical etching process.

They are then colored with the pattern still in place and/or given an allover toning. This pattern is from our Ornamental Tile series. I love how each one turns out completely differently as it takes on the natural characteristics of the individual stone tiles.

Here is the last in the series of new panels I’ve been showing you in the two previous posts. This first one is my favorite of the bunch, I think. I don’t want to make the other patterns jealous, but I just am REALLY in love with this one.

It started with this inspiration-a tabletop photographed at ABC Carpet&Home in NYC, a veritable treasure trove of inspiring things to photograph (and maybe to even buy!)

I did an “embroidery” version of one of our new Architectural Panel patterns to get the look of the lines that seem to be carved into the surface (one of my new little tricks). I am going to add this finish to my Boho Modern Workshop and will be doing some new Modello Master Method instructions for many of these.

I can tell you that it is done with Fresco Paint from Safra. This is a paintable and trowelable product that doesn’t have any binders in it, allowing you to easy rub back through top layers to reveal other color layers below. Once it is sealed with wax or water-based varnish, though, it becomes totally durable. I think our Break Room kitchen cabinets are going to be getting treated to this!

This Fabric Damask pattern is blown way up. Each repeat is about 4′ high. I think everyone is loving the larger-scaled designs right now!

We used some new metallic plasters on the market and layered HiLite (interference) colors over it. Then, a good healthy layer of stain to patinate it. I’ll be sharing more of this later….

This one uses one of our new Silhouette patterns along with metallic foils, paints and embedded lace. I’ve never been brave enough to tackle an embedded lace treatment on a whole wall, but limiting it to a smaller design area makes it pretty darn easy.

I love the little birdhouse detail. Wouldn’t this be sweet in a nursery??

OK, it’s time to introduce round 2 of the new canvases of finishes I created in the last couple of weeks for the SALI show. Barring any Fedex disasters, these will return to hang in the long corridor that separates the two sides of our building. I have always envisioned it as a “gallery” space, so am looking forward to that….

I call this one “Rusted Renaissance”. I was trying NOT to do old world in favor of more contemporary looks, but I love this pattern and thought it would be good for something “simple”. Simple being relative.

It IS pretty simple, really. Metallic foils with skip-troweled Ebony Lusterstone in the pattern and a couple of layers of stain on top after the Modello was removed.

This one IS a bit more modern. I love the effect of putting pattern into shapes and REALLY like the way this turned out.

It doesn’t photograph too well, due to the subtle color sheme, but it’s very pleasing in real life and I think the idea can translate to many other options.

Aaah, finally! I have been planning to do a treatment like this in my home office for a LOOOONG time. I am actually writing this from the dining room as the home office has been dismantled for over a year now, just waiting…..

Now that I know how easy this Kimono Collage look really is (once it’s all worked out on the computer) I think I might actually try to tackle this one here at home. Not that the dining room isn’t lovely…..More to come!

You can find all of our latest designs here on the web and in the new Design Library Binder.

When I started in this “pattern” business years ago (as in 25 years ago) I spent almost all of my time drawing and designing original stencils for Royal Design Studio. As that business evolved into two businesses I now find myself too busy “managing” things to actually have time to sit down and draw so have become more of what I consider to be someone who “designs with patterns” more than someone who “designs patterns”. There are so many gorgeous designs to pull from history and different cultures! Plus, I find so much creativity in combining them with different colors, paints, plasters and metallic mediums! Such was the case the last few weeks in creating these large canvases for a trade show to show off some new ideas and designs we’ve been developing. Most of these will get incorporated into upcoming classes and other educational materials. I LOVE having the ability to spark new ideas for other people.

This canvas incorporates one of my favorite mediums, Jasmine Portofino with metallic foil and antiqueing stain.

I was going to to this up very “Hollywood Regency” in a more simple graphic way (black and white, perhaps) but the color bug was just biting too hard.

Instead, I chose the black and white theme (plus a little silver) for this Art Deco panel.

The background is actually a really soft, organic plaster, which helps to soften the highly waxed Venetian plaster.

Inspired by my recent trip to Morocco, I had to indulge myself with a glorious blue and orange color combination.

I love the symmetry and geometry of Zellij tiles. In Morocco you will see numerous different patterns and colorways all used within the same space-but I chose to keep it simple here for American tastes.

I really didn’t know where I was going with this arabesque pattern, but like where it landed. I used polishing plasters and wax for this finish and it ended up looking quite Fortuny-ish, so I am looking forward to reworking this technique with a Renaissance damask pattern. More soon….

For the last two weeks I’ve been madly working on creating cool and unique decorative treatments with some of our new designs. You see, the SALI show begins next week. This will be my 15th year in a row exhibiting at the Expo there. Each year lately, I tell myself I’m NOT going to kill myself coming up with newer, grander things for the booth and each year that idea flies right out the window as I scramble, sweat and stress to try and top what I did the year before in a mad, last minute rush of creativity. This year was NO exception, and you know what? I’m really pleased! I ended up created 10 new, 4′ x 7′ canvases to hang in the booth (and afterwards in a long hallway in our new building). Don’t you just love when your efforts can perform double duty?

One of my favorite things about using Modello Masking Patterns, on top of all the cool decorative treatments that can be done with them, is pulling the vinyl off to reveal the design. This is generally produces a lot of ooh and aah moments. Quite frankly, it can get a bit tedious, but each pull reveals a little more, a little more, a little more, and suddenly-there it is! I’d like to relive some of the those moments here.

Wait till you see the full reveal! I had them photographed before I bundled them up to ship off to Charleston, SC. Coming soon….. 

Well, there was record breaking heat here in San Diego again this weekend! As we don’t have air conditioning in our house (didn’t used to need it here by the ocean!) I spent the weekend in the studio with the thermostat set at a semi-comfie 78. Well, it beats 101! Actually, I was going to be there anyway as I have a new class, Boho Modern, starting this week and wanted to work on some last minute ideas. Nothing like a deadline to spark some creativity!!! I actually LOVE being in my studio on the weekend. No distractions, no phone calls. I didn’t even turn on any music. Sometimes it’s good to listen to the thoughts in your OWN head, you know? There were more hits than misses. I tried a couple of different versions of an embroidery-ish theme.

Neutral can be nice and tone on tone looks are always classy-and easy to decorate around. I love the subtle textural quality of this. It actually is all smooth when you rub your hand across. This funky floral motifs are originally from a series of old printer’s ornaments.

I was playing around a lot with metallic foils that I got from my friend Gary Lord. These are applied to a bed of gold size, like metal leaf, except that they come on big rolls and in yummy colors like celedon green, blue and plum. I love the way the eggplant glaze settled in around all the little peacock feathers and makes these guys POP!

I found this old sample board painted with this unusual (for me) coral color. It must have been left over from some long ago project. I’ve had these blank boards laying around for up to 8 years! I thought it might be cool to combine these funky modish flowers with some embedded lace.

I transferred some metallic foil first; Candy Apple Red and Orchid. It wasn’t super dramatic but adds a nice little sparkle. The color of the plaster I pushed through the lace was actually a dark brown. The antique gold mica glaze I applied over it turned it more green. At first I wasn’t too sure about it, but one is really starting to grow on me!

Another finish with an embroidered look. This time on a metallic stria finish.

I’ve had these jars of large mica flakes sitting around for some time and wasn’t sure what to do with them. Hmmm. What would happen if I stirred some into a glaze? This!

I call this one blue steel. More metallic foils! This one incorporates a hologram foil as well which gives you some really crazy color shifts as you view it from different angles. I like patterns like this classic modern allover one, that divide the space in half. It has a nice symmetry and balance don’t you think?

Well, I’m off to clean up the studio. I hope you weekend was equally fun and productive! BTW, the next Boho Modern class is scheduled for December….

I haven’t died, been arrested, abducted by aliens, gone underground in Mexico or even into a government witness protection program.

I’ve been so busy trying to get the studio ready for my FIRST class here (along with working on Maryam’s Peacock Pavilions project) that my blogging feet have been kicked out from under me. I just wanted to drop a quick line to let you know that I haven’t completely abandoned this blog and PROMISE some juicy photos and details of all the projects that have been happening in and around my frantic painting life these past weeks. In the meantime, here are some tidbits and teases.

I was thinking the other day that it might be helpful if I got my 2008 workshop schedule figured out before 2009 rolls around. No, actually I have been thinking about it a lot because Dawn keeps asking me because people keep asking HER if I ever plan to teach again! With the move, upcoming trips and ongoing major decorating projects at the new building it’s been a bit hard to focus and plan, but it’s done. I’ve created even more work for myself by adding three new classes this year, but I’m excited to create some new looks to share! Here are a couple of them-

Elegant Reflections. I am continually excited about the possibilities of pattern on glass and mirrors and have some really cool projects planned for our building including a reverse-gilded Moroccan tile -themed glass countertop (that’s a mouthful, huh?) and mirrored tile door.

Boho Modern Finishes. This is a term I picked up from this post by Holly at Decor8. My idea of Boho Modern is a little broader and more colorful (we can’t have all those plain white walls, now can we?) but I have some GREAT distressed wall finishes in my head that I will be developing over the coming weeks that I will share later! Also, check out Floor Focus, Modello Master Methods and SkimStone/Modello.

Hoping to see you in the studio….

One of our decorating projects in Florence next month will be to do a large floor area (250 sq. ft) in Alison’s studio with an aged tile treatment that we will accomplish with SkimStone and Modellos. I had shared some of the tile treatments we did in a recent SkimStone class and these four samples build on that idea.

With the exception of altering the blue color slightly these all use the same few colors, but they are layered a little differently. I am always amazed at how many different looks can be achieved with the same pattern, product and colors. The advantage of creating your own “tile” floor, of course, is that you can make it look any way you want. You can’t get that at Home Depot folks!

Wow! I have been SO busy in the studio. I have so much to share and so little time! I was just reworking some of the samples for our Italy trip and feeling very happy with the results so I want to share! One of the finishes we will do is meant to replicate some of the gorgeousl woven silk fabrics found at Antico Setificio Fiorentino.

This one is done with Oikos’ Kreos material, which is much like a really thick, somewhat gritty paint. It’s fabulous for creating highly textured looks. For this I troweled on the lighter color and then stria’d it with their Corduroy tool (which resembles really cheap Astroturf). It works better than anything I’ve tried before for creating a slightly irregular stria with lots of nice “nubs”. Once dry I used a stencil and was actually able to roll on the darker color through the stencil and stria through it with a brush without pushing the product under the stencil-even over a textured surface. You really can’t see it well in the photo, but the finishing touch is using two different colors of mica-tinted Bee’s Wax (from Kathy Carroll) and manipulating them a bit.

I wanted to rework the Sgraffito finish done earlier for another room and found that the combination of using a 10mil Modello for the main pattern and just a bit of “scratching” with a sharp tool for the vein details makes it look like I was scratching and carving all day-not! I LOVE the Oikos Travertino texture on the background on this one.

Most of the finishes we will be doing in Alison’s studio need to be kept fairly simple and neutral, as they will serve as backdrops for her own beautiful handpainted and gilded furniture pieces. This Oikos Lime Wash (actually it’s called Pittura Calce Verona) with some handpainted accents will hopefully fill that bill. All of these products can be ordered through Kathy’s site here.

This one uses Safra lime plasters from the School of Italian Plasters and is a sample to test the technique for some cartouche designs what will go around a door and as a frame for artwork. It is a Marmorino base with Calcenova Arredo through the Modello. I have not done much personally with lime plasters in the past, but after the last week, I think I am hooked! Now, to tackle some real walls…..