November 19th, 2007
Just thought I’d post a couple of my favorite rooms by my personal design God, Alberto Pinto. Click for much, much more.
Check out these faux embossed leather walls.
I am loving lavender lately. Wouldn’t you love to sit down to dinner in this room? Since it’s a fantasy let’s pretend that we even have a cook and a butler!
November 15th, 2007
OK, I’ll admit it. I am totally and irretrievably obsessed with repetitive patterns: How to translate them onto different surfaces, how to apply them with different mediums, how to make them work, and how to make all of this profitable for my customers and, yes, me! I WOULD like to retire someday, preferably to a villa/vineyard in central Italy. SO, I started messing around with this simple and brilliantly efficient Modello Marquetry Masking System for applying pattern to wood and other porous surfaces (see the cork below) and think it’s so slick that I’ve filed a patent on the process.
It’s all still a bit “in the works”, like everything else in my life, but I wanted to share these first samples with you. I was in a rush to find wood and get it cut, so settled on Oak plywood (bleech!). The grain of the wood fights with some of the patterns but you get the idea.
I’ve had a bunch of unfinished maple flooring laid down at the new building (see what I did at my house here), and some large unfinished birch doors, so will have some really nice surfaces to decorate. Now, to pick out which patterns……
November 14th, 2007
Two down, 118 more to go.
One of the projects in our new building that I am most excited about is doing this stained cork floor, because 1) I think it is truly unique, and 2) I think it is going to look really, really cool, and 3) Cork flooring is hot! We had to wait 4 mos. for the unfinished cork tiles to arrive on a slow boat from China (seriously) so now have to get them done pronto so they can be installed before the furniture arrives.
I saw this pattern in the HUGE, absolutely gorgeous Taschen book, The World of Ornament and was wierdly drawn to it. It’s not my usual design crush and it feels fun to try something completely different. We are using water-based stains with Modellos and stencils to complete the pattern on each tile. Once it’s installed, I’ll add some umber colorant to the sealer to knock it back a bit. Just a bit. Fun, huh? I’m just not sure I can bear to let people walk on it!
November 13th, 2007
A quick update on how things are going at the new building. It’s-well, um, frustrating. Please notice that I refrained from swearing-barely. We’ve been down the excruciatingly elusive final details and final inspection for over two months and I am at the point of just maybe accepting certain aspects of really poor workmanship and figuring how to camoflauge things with paint while the building inspector is designing ways to separate me from many pennies!
On the brighter side, we did actually finalize the walls in one room. It’s my own fault, what with my AADD condition (Artistic Attention Deficit Disorder). There are many areas “started” at least….
This office has one feature wall that is clustered with gingko leaves, with more shapes scattered selectively around the room. I have been focusing more lately on combining the Modello Decorative Masking Patterns with our traditional stencils from Royal Design Studio. I’m finding that this opens up a lot of fun alternatives for both mediums!
In this case, we placed the Gingko Leaves Modellos (EasSet 112) and trowelled over them with Portofino, a fabulous metallic plaster that covers beautifully and comes in really yummy colors. We used: Jasmine, Brazil Nut, Chinchilla, Amethyst and Red Rock. Another great thing about it is that it comes in smaller sizes and there are also sample kits available.
After that dried I used various stencils from our Kimono Collection and stenciled them first with the same Portofino colors. The “dazzle” comes from selectively shoosing certain elements to go over with Golden’s Glass Bead Gel. This is a gel medium that is loaded with clear glass beads. When it dries, the colors below are reflected through the glass beads. I have found that it dries a bit milky, so you need to put it on as thinly as possible. You can also color it with metallic colors or micas, which helps reduce that.
On some of the patterns I beaded all the designs. On others I just applied it to certain elements and on others I left if off completely. I think a little Glass Bead Gel goes a long way!! The room is looking quite fun and joyful, and will become even more so when we complete the kick-butt floor treatment. We have it “started”…..
November 8th, 2007
On one of our free days in Italy we took the bus to the lovely city of Lucca and stopped on the way at one of the famed Villas of Lucca that are nestled in the surrounding rolling hills. “Our” villa was the Villa Mansi, built by a family that made their fortune in the silk trade.
This beautiful building is in a storybook, parklike setting, surrounded by stately trees-all imported from Japan and Asia.
Did you know that the symbol of Tuscany, the cypress tree actually comes from Asia!? Just a little Tuscany trivia.
Inside, all of the rooms were beautifully painted in different styles including Chinoiserie and Grotessca.
The grand dining room was jaw-dropping, however. The bas relief trompe l’oeil painting was so well executed you just wanted to get up their and dust off the carvings.
As you can see from the crack in the wall in this detail, though, that wouldn’t be necessary. Amazing art in a magical place. By the way, they are working on renovating the upstairs to rent out the entire Villa, so gather you friends together for the vacation of your dreams. PS, thanks to Carlo Mori and Eva LaRue for taking better photos than me!
November 7th, 2007
Our little Florentine Silk Damask room turned out divinely. Interestingly and fortuitously enough, they seem to like to put showers right in the thick of things in their bathrooms in Italy-so you have a toilette, a sink and there in the corner a shower head coming right out of the wall with a drain on the floor. This works GREAT for cleaning big stencils as there is not need to try and squish them into a pesky little sink.
Here’s Debbie and Lori doing one of many repeats of damask around the room, along with a final photo.
And here’s Gary in one of his favorite spots-sandwiched between a bevy of beautiful babes, namely: Becky, Kari, moi, Alison and Jeanine. You lucky, lucky man.
November 1st, 2007
So, yeah, Italy was amazing! We were really lucky to be accompanied by a fabulous group of 30 people. Now, that may seem like a lot-it sure did to me-and we were working in a smallish space but I’ve never seen a group of diverse people work so well together. We were able to get an incredible amount of work done in a week and there were smiles all around all the time. Maybe it had something to do with the many bottles of red wine on our lunch tables. Hmmm?
This is my favorite shot. Do you think that they are engaging in some girl talk? Naw, probably discussing trowelling techniques. Speaking of that, we did quite a bit of it on this 250 sq. ft. floor area.
Racing to the finish line.
All hands on deck.
Me posing (just a little)
Susan and Todd (who really never did stop smiling)
A pattern picking party. I think many were looking for the opportunity to sit down at this point!
Ta da! The floor turned out to be seriously gorgeous. We were all wishing we could take it home but happy to leave our mark in lovely Florence. A very special Thank You to Modern Masters for their generous donation of SkimStone for this major Modello project that uses one of our Ornamental Allover patterns, OrnAll 107.